Issue 5: Sustainable Art Communities: Creativity and Policy in the Transnational Caribbean

We are delighted to announce the publication of Issue 5 of the Open Arts Journal,

This themed issue, ‘Sustainable Art Communities: Creativity and Policy in the Transnational Caribbean’, brings together academics, artists, curators and policymakers from various countries in the English- and Dutch-speaking Caribbean and their diasporas, the UK and the Netherlands. It explores how the understanding and formation of sustainable community for the Caribbean and its global diaspora may be supported by art practice, curating and museums. The collection was developed through a two-year international research project (2012-14) led by Leon Wainwright, with Co-Investigator Kitty Zijlmans (Leiden University), focused on major public events in Amsterdam and London. The project is funded by the Arts and Humanities Research Council (AHRC) and the Netherlands Organisation for Scientific Research (NWO/Humanities).

The issue is available from our website now.

Issue 2: “Pavilions” – Forthcoming Winter 2013

Download the flyer for Issue 2 “Pavilions” (PDF, 325KB)

PAVILIONS | Issue 2, Winter 2013

This second issue of the Open Arts Journal pulls together a number of exploratory texts – some academic, some more creative in style – on the understudied subject of pavilions.

Responding to the question ‘What is a pavilion?’, this issue proposes that the pavilion (as an ornamental garden structure, an exposition venue, or something more conceptual like a curated project or book) should no longer be neglected as a minor or inconsequential form of architecture. Although its origins may be in the modest tents of travellers, the pavilion as a structure has nonetheless been mobilized in strategies of world-making and unmaking, and this issue explores these creative manoeuvres.

The first section, ‘Historical themes and contexts,’ is a collection of mostly essay-length texts by Ihor Junyk, Jane Lomholt, Joel Robinson, Jaimee K. Comstock-Skipp and Karolina Szynalska, taking forward the genealogy of pavilions offered in the editor’s Introduction, ‘Big worlds under little tents’. A series of case studies introduces pavilions in their many forms during the modern period – picturesque garden ornaments, exotic structures that speak of remote times and places, and national exposition buildings at the world’s fairs and other exhibitions. Here, the pavilion is discussed as a monumental object as well as a receptacle for other objects, and a type of architecture that is rarely far away from imperialist or nationalist agendas. Long after it has served its original purpose, it may incite reflection on the decay and ‘afterlife’ of such structures.

In ‘The architecture of display,’ the pavilion is considered as a structure – architectural or otherwise – for framing the world, or putting a piece of the world on display. Texts by Brian Hatton, Flavia Marcello, Jennifer Way, Beccy Kennedy, Wendy Asquith, Jaspar Joseph-Lester and Michael Corris address the way in which pavilions mediate observation and knowledge of the world. This section probes the intriguing dynamic that pavilions set up between the container and the contained, and how they might even be said to deconstruct that dynamic while becoming works of art in their own right (e.g., sculptural objects like Mies van der Rohe’s Barcelona pavilion).

The final section, ‘Contemporary projects,’ carries short statements, reviews and photo-essays by Sophie Kazan, Yam Lau, Sarah Bonnemaison, Harriet Harriss, and a longer text by Chris Tucker. They consider a range of sites from privately-funded exposition buildings and the high-budget ‘star’ architecture of the Serpentine Gallery commissions, to more modest works that intervene in public space. These projects raise questions about community outreach, participatory citizenship and direct democracy, and show up the ineffectiveness or emptiness of some of today’s official public art commissions. The issue concludes with a perceptive afterword by Michaela Giebelhausen: a Surrealist-inspired piece that takes a ramble through Paris – the city of universal expositions – and pauses on what remains of its exhibition grounds and public parks.

Launch event video now available

On Monday, 21 Oct 2013, the Open Arts Journal held an event at The Open University in Camden Town, London to mark its launch this summer.

Professor Marsha Meskimmon (Loughborough University), spoke about her article published in Issue 1, ‘The Precarious Ecologies of Cosmopolitanism’.

The presentation was filmed and is available here:

http://www.openartsarchive.org/oaa/content/open-arts-journal-launch-event-1

A panel discussion followed the research seminar, with Professor Berthold Schoene and Dr Ellie Byrne (guest editors of our inaugural issue, both at Manchester Metropolitan University), together with Open Arts Journal editor-in-chief Dr Leon Wainwright (OU Art History), and Q&A.

Film footage for the panel discussion is archived here:

http://www.openartsarchive.org/oaa/content/open-arts-journal-launch-event-0

Launch event, 21 October, London

Readers of the Open Arts Journal are warmly invited to join us to celebrate our recent launch.

On 21 October we welcome Professor Marsha Meskimmon to the Open University’s centre in Camden, London, to speak about her article, included in issue 1 of the Open Arts Journal, ‘The Precarious Ecologies of Cosmopolitanism’. The presentation will be followed by a panel discussion with Associate Editors Berthold Schoene and Ellie Byrne, together with Open Arts Journal editor-in-chief Leon Wainwright, followed by Q&A.

The event is free and all are welcome but we ask that you please reserve in advance and inform us of any cancellation.  Please visit our event site to book your place: https://openartsjournal-launch.eventbrite.com

Venue: 1-11 Hawley Crescent, Camden London NW1 8NP (map). Light refreshments from 6pm.  Formal presentations begin at 6.30pm.

Call for Papers

Submissions to the Open Arts Journal should meet several of the following criteria:

  • Original work, reflecting current concerns and critical issues in the subject area. (Open Arts Journal does not publish previously published material).
  • Valuable introductory work, opening up new areas of research and scholarship.
  • Makes a significant contribution to the global practice and understanding of the history of art, architecture and design, and visual culture and material culture.
  • Troubles the geographical scope and periodisation of the mainstream histories of art, architecture and design.
  • Theoretically innovative, expanding on the basic concepts of the discipline.
  • Shows how art history may interact with other disciplines, such as art practice, curating and museology, arts organising, cultural policy and the public understanding of art.
  • Enables cross-fertilisation between art, architectural and design history, film and media studies, material and visual culture studies and the broader humanities.

We welcome a full paper or a 200-word abstract of your proposed submission to the Editor, Open Arts Journal Arts-open-arts-journal@open.ac.uk