Issue 6, Winter 2017-18
Edited by Helen Hills
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Introduction: directions to baroque Naples
Helen Hills (University of York)
Abstract and full text
From Piazza Mercato to Ponte Ricciardo, and on to Via Toledo: Giovan Battista Della Porta’s translations of hands and feet of executed criminals across early modern Naples
Sergius Kodera (New Design University, St. Pölten)
Abstract and full text
Dislocating holiness: city, saint and the production of flesh
Helen Hills (University of York)
Abstract and full text
The materiality of enchantment: rethinking Neapolitan marble intarsia
Joris van Gastel (Bibliotheca Hertziana – Max Planck Institute for Art History)
Abstract and full text
Baroque tectonics: eruptions and disruptions in the Vesuvian city
Alfonso Tortora (University of Salerno) and Sean Cocco (Trinity College, CT)
Abstract and full text
Naples in flesh and bones: Ribera’s Drunken Silenus and Saint Jerome
Edward Payne (The Auckland Project)
Abstract and full text
Flaying the image: skin and flesh in Jusepe de Ribera’s Martyrdoms of Saint Bartholomew
Bogdan Cornea (University of York)
Abstract and full text
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