Issue 4, Winter 2014–5
Edited by Erin E. Benay and Lisa M. Rafanelli
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For individual articles, please follow the links below.
Touch me, touch me not: senses, faith and performativity in early modernity: introduction
Erin E. Benay (Case Western Reserve University) and Lisa M. Rafanelli (Manhattanville College)
A touching compassion: Dürer’s haptic theology
Shira Brisman (University of Wisconsin-Madison)
Blind suffering: Ribera’s non-visual epistemology of martyrdom
Itay Sapir (Université du Québec à Montréal)
Disciplining the tongue: Archbishop Antoninus, the Opera a ben vivere and the regulation of women’s speech in renaissance Florence
Theresa Flanigan (The College of Saint Rose)
Abstract and full text
Sensing the image: gender, piety and images in late medieval Tuscany
Catherine Lawless (Trinity College Dublin)
Abstract and full text
Vox clamantis in deserto: The Johannesschüssel: senses and silences
Barbara Baert (KU Leuven)
Abstract and full text
To have and to hold: possessing the sacred in the late renaissance
Erin E. Benay (Case Western Reserve University)
Abstract and full text
Performing the renaissance body and mind: somaesthetic style and devotional practice at the Sacro Monte di Varallo
Allie Terry-Fritsch (Bowling Green State University)
Abstract and full text
Alienata da’ sensi: reframing Bernini’s S. Teresa
Andrea Bolland (University of Nebraska-Lincoln)
Abstract and full text
Finishing touches: an afterword
Alice E. Sanger (The Open University) and Siv Tove Kulbrandstad Walker (Independent Scholar)
Abstract and full text
Open Arts Journal 